Tag Archives: Disney

The Perks and Perils of Having an Audience

Hollywood is now infamous for attacking its audience. Directors, screenwriters, and actors have gone on rampages in recent years, blaming fans for the failure of every bad movie and TV series. It’s one of several big reasons why even the seemingly invincible Disney is on the verge of collapse. To call it grand scale gaslighting would be an understatement.

I bring this up because I recently had a conversation with a fellow creator about the importance or unimportance of audience. For him, there are auteurs who simply want to share their vision with the world and don’t care about audience. They create for themselves. That’s his own personal philosophy. While I understand that and would say a creator must be passionate about what he makes, which means there’s some self-interest, I don’t see a point in sharing a work of art if it was made only for the creator’s benefit. If it’s only for them, why release it? By putting it out into the world, you’re asking an audience to engage with it, which has its positives and negatives. (I said, “invite,” and not “engage” during this conversation, which I now realize wasn’t the best word choice). At that point, it can’t only be about the artist.

When I was in college learning how to be a writer, I was trained to always think about audience. It would determine what I wrote and how I wrote it. Sometimes that audience was only me. Most of the time, though, it was for others. Writing, as I was taught, required a level of service and selflessness. I had to know what the audience wanted and give it to them; or I had to learn how best to explain something to the audience. Different genres, publications, and mediums appealed to different demographics. Understanding them often required research. By catering to the audience, you could increase your chances of success. An audience is annoyed by most art that’s obviously made for the artist’s enjoyment and not the audience’s enjoyment.

Now, what an audience says they want isn’t always what they actually want. Or, in some cases, what they want isn’t what they need. That’s where a creator can take risks and try something different. Otherwise, an art form can never evolve. An audience may complain, but that doesn’t mean their opinions are gospel truth. An artist should have the confidence to disregard bad faith feedback but also the humility to accept good faith criticism. Deciphering which is which, especially in the polarized times we live in, can be difficult if not nerve-wracking.

Some would say the audience doesn’t matter unless they’re paying customers. I agree to a certain extent. This is especially true if a creator is sacrificing his emotional, mental, and/or physical wellbeing to please his audience. But there are other ways an audience can “pay” a creator. As a podcaster, I don’t charge listeners for my material, but they “pay” me with their time. They invite me into their day as they jog, work out, or clean their house. Some even go the extra mile and e-mail me feedback or write reviews on Apple Podcasts. I’ve gotten stories about how my podcasts help listeners get through their days or survive hardships. I don’t take any of that lightly. To do so would be the epitome of “biting the hand that feeds you.” I’d be no better than the narcissists in Hollywood.

I firmly believe art should be shared. But sharing it comes with risks. You can’t guarantee the audience will understand or appreciate what you make. That’s why in some cases, it’s best to keep it for yourself. Most of the time, though, you have to let those brainchildren go off into the world to forge their own paths, so to speak.

What do you think? How are audiences important or unimportant? How much weight should their feedback be given? Should an artist only create for himself? Leave your comments below!

‘Tomorrowland,’ Dreamers, and Idealism

Does it make me a bad writer (and a bad person) that I haven’t written a blog (or made a video) in nearly a month because of busyness and technology problems? I’d like to say, “No,” and attribute it to “life happens.” Regardless, my projects have slowed down a bit, and I’m writing this on my new laptop. But since I feel I owe it to you, “True Believers” (yes, I’m still stealing Stan Lee’s nickname for Marvel Comic readers until I can find a better name for my own fans), to make up for lost time, I plan to write two blogs this week: one today and one Thursday.

The poster for the film.

Recently, I saw Tomorrowland (which, despite what critics are saying, is a good film). It was a wonderful experience. I saw it at a locally-owned small town theatre with my siblings, Josiah, Jarod, and Sarah. This almost never happens because Josiah is married and recently had his first kid, and Sarah works in Florida for her alma mater, Word of Life Bible Institute. I can’t remember the last time the four of us had an outing like this.

Anyway, there’s much that can be mined from this film, but what struck me most was its idealism. (SPOILER WARNING!) Tomorrowland is a city hidden in another dimension. It is a place where scientists, thinkers, and artists can work without the limitations of governments, bureaucracy, and doubters. But only a select few are admitted to the city. Those chosen for admission are sent a pin that gives them an interactive glimpse of the city and invites them to join.

I want one!

How is someone selected to enter Tomorrowland? He (or she) must be a dreamer. They must look at the world’s problems and ask, “How can we fix it?” They must believe that with imagination, ingenuity, and hard work, anything is possible. In other words, they must be optimistic and idealistic.

Casey, the film’s protagonist, exemplifies these. Several times when apocalyptic predictions are made, she refuses to believe they can’t be prevented, and her hope alters those projections, if only slightly. It’s revealed that a machine meant to show mankind the dangers that are coming—environmental disasters, nuclear war, etc.—instead made them cynical, so they rushed toward that apocalypse. They turned those warnings into pop culture, treating those dystopias and disasters as inevitable futures. Ultimately, it is hope that triumphs, reviving Tomorrowland and avoiding the oncoming apocalypse, and pins are sent out to new candidates for admission.

Watching this, I wondered, Would I be worthy of admission to Tomorrowland? I asked myself that because I’ve often battled cynicism and despair, especially since graduating college. I won’t go into the details, but my life hasn’t gone how I wanted it to. Just the week before seeing the film, I’d staved off a bout of depression. Yet whenever I’ve been like that, I didn’t feel like myself. It was like I was another person; it wasn’t the real Nathan. It reminded me that despite everything, in my heart of hearts, I’m an idealist. I’m also a dreamer. The cynicism and depression stem from not seeing many of those dreams become reality. There’s much I want to do and much I can contribute. Among them is telling stories to a wide audience that both entertain and enlighten. In fact, I want to craft stories that do for others what Tomorrowland did for me.

But hope is a tricky thing. It’s both powerful and fragile. Reality can crush it—and often does for many people—but it can also overcome and alter reality. It’s what spurs people to accomplish great things. They didn’t simply give up.

For centuries, people said man would never fly. The Wright Brothers didn’t listen.

America feared polio for decades. Dr. Jonas Sulk created a vaccine.

The Cold War raged for nearly five decades under the shadow of the Soviet Union. President Ronald Reagan defeated it.

I’m also reminded of Hebrews 11, which is often called “The Hall of Faith.” It lists figures from the Old Testament who accomplished great and often seemingly impossible things because of their faith in God.

These are the kinds of people who get admitted to Tomorrowland.

They’re the kind of people I want to be like.

‘Marvel vs. DC’ movie coming in 2020!

Author’s Note: I originally posted this today on Examiner.com, but they put the kibosh on it and took it down inside of five minutes. I guess they have no appreciation for April Fool’s Day jokes. Regardless, here it is.

In an unprecedented move, Disney and Warner Bros. have struck a deal to adapt the epic crossover comic book miniseries DC vs. Marvel for the big screen. Published in 1996 and written by Ron Marz and Peter David, with art by Dan Jurgens and Claudio Castellini, the four-part story saw characters from both publishers clash to save the multiverse. Kevin Feige and Christopher Nolan are executive producers with David S. Goyer slated to write the script and Bryan Singer directing. This announcement was made with a trailer created by super-fan Alex Luthor.

“Despite being competitors, DC and Marvel have had some classic crossovers,” said Feige. “Since both companies are building cinematic universes, it only seemed logical to have them crossover.”

Bryan Singer jumped at the chance to direct this massive film. “Since I’ve directed both Superman and the X-Men, I think I’m the only guy in Hollywood qualified to handle characters from both companies,” he said.

The comic book featured over a dozen bouts like Superman vs. Hulk and Captain America vs. Batman. Half were determined by the creators while others were decided by fan votes, which is something that will also be done for this film.

“This is for the fans, so we want them to be involved,” said Nolan. “When the movie’s website is launched, it will feature a page where they can cast their votes on the more high-profile matches. We freely admit that they might know better than us.”

Robert Downey Jr., Chris Evans, Chris Hemsworth, and the rest of cast of Avengers will be joining Henry Cavil, Ben Affleck and Gal Gadot in this epic war of worlds.

“I could so take Bat-fleck,” Downey said. “He looks all mopey and sad. Plus, I’ve got better toys.”

Ben Affleck was unavailable for a retort.

Adding to the scope of the film, Marvel is in talks with 20th Century Fox to allow the X-Men and Fantastic Four to be part of the massive crossover.

“Since both of those franchises have tampered or will tamper with the fabric of reality, it made sense story-wise to include them,” said Feige. “This would allow us to sort of include them in the MCU without having them in the MCU. Negotiations have been tough, but I expect we’ll have a deal hammered out soon.”

DC is also considering adding the likes of Grant Gustin (“The Flash”) and Stephen Amell (“Arrow”) to the mix because of their respective shows’ immense popularity. Given the nature of the story, it’s definitely possible.

While all the main players are set, the studios have yet to cast Axel Asher, aka Access, the character who will serve as the bridge between these worlds.

“He was just a regular teenager until a bum told him he was next in line to inherit special interdimensional powers,” said Goyer. “I love that about him. It’s as much his story as it is about the huge fandom-fueled brawls.”

Several actors have apparently auditioned for the coveted role, including Josh Hutcherson (“The Hunger Games”), Taylor Lautner (“Twilight”), Channing Tatum (“G.I. Joe: The Rise of Cobra”) and, interestingly, Liam Hemsworth (“The Hunger Games”).

“I’d love to be in a movie with my little brother!” said Chris Hemsworth, who plays Thor. “We always competed with each other growing up.”

Don’t expect to see this crossover clash in theatres for a while, though, since most of these actors are contracted for other films.

“These actors all have a lot on their plates, so we’ll have to wait for everything to align,” said Nolan. “But it will be worth the wait.”

The question on everyone’s mind, though, is will Stan Lee have a cameo?

“The man will be almost a hundred years old by then!” said Singer. “But I think he’d be honored to be part of the film, even if he’s carted in on a wheelchair.”

“Marvel vs. DC” is slated to be released April 1, 2020.