Tag Archives: nathan marchand

The Perks and Perils of Having an Audience

Hollywood is now infamous for attacking its audience. Directors, screenwriters, and actors have gone on rampages in recent years, blaming fans for the failure of every bad movie and TV series. It’s one of several big reasons why even the seemingly invincible Disney is on the verge of collapse. To call it grand scale gaslighting would be an understatement.

I bring this up because I recently had a conversation with a fellow creator about the importance or unimportance of audience. For him, there are auteurs who simply want to share their vision with the world and don’t care about audience. They create for themselves. That’s his own personal philosophy. While I understand that and would say a creator must be passionate about what he makes, which means there’s some self-interest, I don’t see a point in sharing a work of art if it was made only for the creator’s benefit. If it’s only for them, why release it? By putting it out into the world, you’re asking an audience to engage with it, which has its positives and negatives. (I said, “invite,” and not “engage” during this conversation, which I now realize wasn’t the best word choice). At that point, it can’t only be about the artist.

When I was in college learning how to be a writer, I was trained to always think about audience. It would determine what I wrote and how I wrote it. Sometimes that audience was only me. Most of the time, though, it was for others. Writing, as I was taught, required a level of service and selflessness. I had to know what the audience wanted and give it to them; or I had to learn how best to explain something to the audience. Different genres, publications, and mediums appealed to different demographics. Understanding them often required research. By catering to the audience, you could increase your chances of success. An audience is annoyed by most art that’s obviously made for the artist’s enjoyment and not the audience’s enjoyment.

Now, what an audience says they want isn’t always what they actually want. Or, in some cases, what they want isn’t what they need. That’s where a creator can take risks and try something different. Otherwise, an art form can never evolve. An audience may complain, but that doesn’t mean their opinions are gospel truth. An artist should have the confidence to disregard bad faith feedback but also the humility to accept good faith criticism. Deciphering which is which, especially in the polarized times we live in, can be difficult if not nerve-wracking.

Some would say the audience doesn’t matter unless they’re paying customers. I agree to a certain extent. This is especially true if a creator is sacrificing his emotional, mental, and/or physical wellbeing to please his audience. But there are other ways an audience can “pay” a creator. As a podcaster, I don’t charge listeners for my material, but they “pay” me with their time. They invite me into their day as they jog, work out, or clean their house. Some even go the extra mile and e-mail me feedback or write reviews on Apple Podcasts. I’ve gotten stories about how my podcasts help listeners get through their days or survive hardships. I don’t take any of that lightly. To do so would be the epitome of “biting the hand that feeds you.” I’d be no better than the narcissists in Hollywood.

I firmly believe art should be shared. But sharing it comes with risks. You can’t guarantee the audience will understand or appreciate what you make. That’s why in some cases, it’s best to keep it for yourself. Most of the time, though, you have to let those brainchildren go off into the world to forge their own paths, so to speak.

What do you think? How are audiences important or unimportant? How much weight should their feedback be given? Should an artist only create for himself? Leave your comments below!

My Upcoming Book Signings and Conventions 2023

My book signings have been few and far between since the pandemic, but now I’m finally getting back into the swing of things! The next six months or so will be quite busy for me when it comes to conventions, and I’m looking forward to it. I’ll be back in my element (well, my other element). So, here’s a quick rundown of my upcoming appearances.

Local Author Fair – Eckhart Public Library in Auburn, IN
DATE: April 22, 2023.
TIME: 10am-2pm
LOCATION: Eckhart Public Library – Auburn, IN

I’ll be one of 15 local authors from northeast Indiana selling books at the Eckhart Public Library. I’ll also be part of the fiction writing panel (the other two are on nonfiction and poetry). The Brown House Foodmobile and Hoosier Mama food trucks will be there.

Learn more about the event on the library’s website.

Days of the Dead – All Monsters Attack 2: Chicago S.O.S.
DATE: May 7-9, 2023
TIME:          Friday: 5pm-10pm
                        Saturday: 11am-7pm
                        Sunday: 11am-4pm
LOCATION: Crowne Plaza Chicago Ohare Hotel & Conf Ctr. Rosemont, IL

I attended this upstart spin-off convention last fall as a con-goer, but this year I’ll be tabling there to promote Kaiju Ramen Magazine, a publication for which I edit and write. It’s a kaiju-focused con with a guest list that goes on for days. Check out the convention’s website for more details.

JAFAX
DATE: June 9-11, 2023
LOCATION: DeVos Place Convention Center – Grand Rapids, MI

My friend Eric Anderson of Nerd Chapel is in the process of acquiring a table that he will share with me and our friends Tim and Becky Smith of the Redeemed Otaku podcast. This is an anime convention. I’ve never attended it before, so I don’t know what it’s like. Because we don’t have a table guaranteed, my attendance is uncertain, so stay tuned for more. Read more about the event on its website.

G-Fest XXVIII
DATE: July 14-16, 2023
LOCATION: Hyatt Regency O’Hare – Rosemont, IL

The biggest kaiju convention in North America returns to the Hyatt in Rosemont. I’ll be part of several panels on various subjects and attending many events. The details of the panels are still being worked out, so stay tuned! Learn more about the show at the G-FAN magazine website and the event’s new website.

Gen-Con 2023
DATE: Aug. 3-6, 2023
LOCATION: Indiana Convention Center, Indianapolis, IN

After taking a year off, I return to the “best four days in gaming” in Authors Avenue. I may also look into hosting some events. This is my flagship convention, and I can’t wait to see my Gen-Con friends again! Learn more about the event on its website.

The next few conventions are events I’m interested in attending or have been offered a spot by friends, but details are still being worked out. I’m including them so you know where I might be. Watch for updates!

-Ramencon (Sept. 29-Oct. 1, 2023)
-Bangor Comic and Toy Con 2023 (Oct. 13-15)
-Fantasticon Fort Wayne 2023 (Oct. 28-29, 2023)

Like I said, I’m gonna be busy!

I look forward to seeing all of you! Bring your books to be signed or come to buy some!

Monster Island Film Vault Playlists (and Other Podcasts)

I haven’t stopped writing–I’ve just been writing for my podcasts! One of those is The Monster Island Film Vault, a podcast seeking entertainment and enlightenment through tokusatsu. Here are the YouTube playlists for each season of the show, but you can listen to it wherever you get your podcasts and its website, www.monsterislandfilmvault.com.

I also co-host the pocasts Henshin Men and The Power Trip, and I’m a cast member on Scyther Podcasts’ Power Ranger: The Audio Drama.

Season 1

Season 2

Season 3

What I’m Thankful for – 2022 Edition

People nowadays just think of today as a day for food and football, but it’d behoove all of us to stop and be grateful. The last few months I’ve needed to remind myself of that. There are times it still does seem pointless, but it teaches you humility and, well, gratitude. So, here it goes.

  1. My faith in Jesus Christ.
  2. My family.
  3. My new church.
  4. My previous church (which is now closed).
  5. My apartment.
  6. My podcasts (The Monster Island Film Vault, Henshin Men, The Power Trip).
  7. That I’m a cast member on Power Rangers: The Audio Drama.
  8. My master’s degree.
  9. The jobs I worked this year.
  10. My car.
  11. My collectibles.
  12. My book collection.
  13. My DVD and blu-ray collection.
  14. Moses, the new family cat (he was rescued from a marsh).
  15. My friends.
  16. My gaming consoles.
  17. My phone.
  18. My laptop.
  19. That I got to meet some great celebrities, including Jason David Frank.
  20. My fans and readers.
  21. My websites.
  22. That I got to be a panelist at G-Fest.
  23. That conventions restarted in earnest this year.
  24. Movie theaters.
  25. Comic shops.

Why I’m Not at Gen-Con This Year

I’ve been a staple at Gen-Con, a massive four-day gaming convention in Indianapolis, for a decade. I’ve tabled in Authors Avenue in the vendor hall since 2020, but even then, I taught a pair of online panels in the free online version held during the off-year. I’ve networked with many authors there, sold hundreds (if not more) books there, expanded my readership there, and met some amazing friends there.

But this year, I’m staying home. In fact, I canceled my vendor hall table in June.

Why? I’m not allowed to be there. Not because of something I did, but because of something I didn’t do.

This year Gen-Con required COVID vaccination cards to get in the door. This decision wasn’t finalized until two months before the convention. I’d reserved a table in February. I only got half of my money back when I canceled—because I’d chosen not to get vaxxed.

Before I continue, let me make several things abundantly clear:

  • I am not anti-vax.
  • I am not anti-science.
  • I have simply chosen not to get the vaccine. I’m admittedly a little hesitant with how fast the vaccine was produced, but I’m incredibly healthy and hygienic. I’ve gone for 2 ½ years without getting COVID (unless I was asymptomatic).
  • I’m not here to argue about the medical science of COVID and the vaccine. That invariably turns into a quagmire because everyone can site sources that seem to back up their position. Honestly, the science is immaterial to the issue with Gen-Con.

What I will argue is still potentially dangerous. I could lose readers and/or friends over it. (Welcome to the world we live in). It might even be considered grounds for “cancelation.”

But I must speak up.

This vax card requirement by Gen-Con makes no sense. The COVID-19 pandemic is over, for all intents and purposes. In my home state of Indiana (where Gen-Con is held, in case you forgot), we have returned to what feels like 90-plus-percent pre-2020 normal. Last year, Gen-Con held a half-size show while the pandemic was ongoing but subsiding. Precautions were taken, such as requiring masks. It was “diet Gen-Con” in many ways, but I can vouch for it being a success. Heck, I made more money in Authors Avenue than I ever had before! I expected Gen-Con would relax their restrictions in 2022.

Instead, they’ve done the opposite.

Why?

I suspect politics.

It’s no secret that Gen-Con’s management are leftists. In 2015 when then-governor Mike Pence signed the Religious Freedom Restoration Act, the CEO of the convention threatened to break contract with the city of Indianapolis and move the show out of state in protest. Thankfully, that didn’t happen, but it showed the organization’s true political colors. Now politics are influencing how they manage their business. It’s at best misguided virtue signaling and at worst a thinly veiled attempt to identify the political demographics of Gen-Con’s customer base and, I would argue, bar some from attending based on those politics. The problem is some people—such as several members of my family—haven’t gotten the vaccine because of their politics but because of pre-existing health conditions that would be aggravated by the vaccination. Why should such people be prohibited from attending Gen-Con along with the “evil” antivaxxers if they want to be there?

This decision makes Gen-Con an outlier. While I’m sure there are other cons that have such requirements now, I can’t think of one. (Feel free to mention any in the comments below). This year I’ve attended both Indiana Comic-Con (which is in the Indiana Convention Center, the same venue as Gen-Con) and G-Fest (which is held in Chicago, a city that only recently relaxed its stringent COVID restrictions), neither of which required vax cards. And guess what? Everything went fine. No one said anything one way or the other. Nobody died. The attendees just enjoyed themselves. Gen-Con could’ve compromised, as many venues and shows have done in the last year. A negative COVID test within three days of the con? Sure. A mask mandate? Fine. Social distancing and other precautions? Understandable. But a vax card requirement is a bridge too far.

I’ve debated if I still would’ve attended Gen-Con if I was vaxxed. While I can’t say for sure, I think I would’ve canceled on principle and as a sign of solidarity with friends who couldn’t or wouldn’t attend because of this decision.

After the success of last year’s Gen-Con despite reasonable restrictions, this vax card requirement is a baffling, presumptive, and seemingly prejudicial decision. It’s bad for PR. While I don’t wish failure on this year’s con, I do hope that the powers-that-be at Gen-Con corporate get plenty of pushback about this and drop the requirement for next year’s convention. I’ve spoken with other Gen-Con fans who’ve been unfairly excluded by this. We aren’t going to get a COVID shot just to participate in “the four best days of gaming.” There are other cons who don’t have these restrictions who will be happy to have our time and money. It’s not 2020 anymore. We’ve moved on.

Gen-Con should, too.

Interviewed on the Christian Nerds Unite Podcast

Recently I was interviewed by Ricky Pope on the Christian Nerds Unite podcast with Scott Bayles. It pertained to The Fantastic 42: A Fellowship Facing Doom with Hope, the latest in the 42 devotional series. We both contributed to that book, and we go into a lot of detail in the interview about why we chose the characters we wrote about as well as the origin of this new book. This episode is available on YouTube and your favorite podcatcher. Check it out!

“But I Digress…” Returns–for Gen-Con 2021!

After the longest of hiatuses, my old YouTube show returns as a live show/YouTube shorts series! I relaunched it for Gen-Con 2021, doing daily recap streams with my friend and co-author Eric Anderson, the founder of Nerd Chapel, discussing what we did at the convention and how our book sales went each day. Check out the playlist below!

The “But I Digress…” Gen-Con 2021 playlist.

I was Interviewed by Kaiju Kim about Kaiju Literature!

This past Sunday, I was interviewed by Kaiju Kim, who makes the most wholesome kaiju content you’ll see on YouTube. It was Father’s Day, so the chat was relatively quiet, but we still had a good time discussing kaiju literature–including books and short stories I’ve written and published myself. Give it a watch!

NEW BOOK – ‘ZORSAM AND THE GOD WHO DEVOURS’

The cover art for the book.

It’s been a long time since I’ve posted anything of note on this website. I’ll say it’s a New Year’s Resolution to remedy that. So, let’s start that off with a mandatory post about my newly published book, Zorsam and the God Who Devours!

Some years ago in a wonderful place called Story, Indiana, a bunch of my college writer friends and I made a pilgrimage to have a weekend retreat in a big cabin. Amidst some sightseeing and tabletop gaming, we all sat down and discussed doing a big year-long project together we called “The Pulp Fiction Project” (the “literary genre,” not the Tarantino movie). We listed several types of stories that you’d see in old pulp magazines, including space western, monster story (which led to Destroyer), and “barbarian story.” My friend Nick Hayden chose to write that last one. Over the course of the next year, our goal was to have multiple 30,000-word novellas in the style of old dime store novels. Each would have three writers who took four months each to write about 10,000 words a piece before passing it on to another writer whose name would be drawn from a hat. It fell to Aaron Brosman second and finally to me.

It sat on the proverbial shelf (or rather, hard drive) for years until Nick attempted to get it published with a publishing house he was with a few years ago. That didn’t work out, so I contacted Wild Hunt Press, who jumped at the chance to publish some sword and sorcery.

What’s this book about? In a nutshell: a barbarian cooler than Conan.

You read that right.

Here’s the back cover copy:

Zorsam is a mighty and savage warrior born in an undreamed of and unrecorded age, filled with strange kingdoms, fierce warriors, dark magick, nightmarish monstrosities, and terrifying deities. Among the latter is the dreaded Manrix, the God Who Devours, a bestial deity who demands the sacrifice of young female virgins to keep his appetite sated and appeased. His most powerful follower in that bygone era is the brutal King Margruxks, the ruler of the much-respected kingdom of Glaur, whose latest intended sacrifice is a young woman named Asundi.

Zorsam is soon to learn, through a deadly series of trials he is put through by an avatar of Death itself, that the sacrificial girl is one of his tribe, and he becomes determined to do the unthinkable and take on his greatest trial yet: invading the lands of Glaur, oppose King Margruxks and his deadly minions, and dare to deny Manrix his demanded offering by rescuing Asundi.

Among King Margruxk’s soldiers are the brothers Zaduk and Fria, unconquerable warriors who control the forces of fire and ice respectively, which will more than ensure Zorsam a challenge that shall truly earn him the title of one of the greatest warriors of all time — if he survives. For even if he gets through this incredible gauntlet, he must then face the deadly sword of King Margruxks himself, and ultimately, the power of the God Who Devours.

The blood-stained saga of Zorsam begins here, and it is brought to you by no less than three authors who have made the sword and sorcery genre their passion.

It’s available on Amazon as an eBook right now, but the paperback is coming soon!

If schedules allow, I’m hoping to do a livestream with both Nick and Aaron on my YouTube channel to discuss the book and the process of writing it. Stay tuned!

In meantime, start the New Year off with a new book!